Contributors
The canonical list of participants in the CG can be found here, but this page is for participants in the W3C Music Notation Community Group to provide information about themselves, the organisation they represent (if applicable), and their specific areas of interest within the CG.
Co-chairs
| Photo | Name | Organisation | GitHub username | Area of interest |
|---|---|---|---|---|
 |
Adrian Holovaty | Soundslice | adrianholovaty | Consuming MusicXML; rendering web-based sheet music; creating new notation forms to enhance music education; improving semantics of notation data |
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Daniel Spreadbury | Steinberg Media Technologies, GmbH | dspreadbury | The inventor of SMuFL, and Product Marketing Manager for Steinberg's in-development scoring software. |
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Michael Scott Asato Cuthbert | Massachusetts Institute of Technology | mscuthbert | Editor of MusicXML spec; music21; computational musicology. |
Contributors
To update your entry in this table, click the Edit link at the top of the page. Try to preserve the table formatting! To enter a brief summary of your area of interest, write it immediately following the final || in the line. To change the photo, enter the filename of the photo you want to upload in place of nophoto.jpg, but do not change the width (100px), and click Save Changes. The photo filename will then appear as a red link: click this and you will be taken to the page to upload the photo.
Asterisk (*) indicates an affiliation with an organisation, but that the individual has chosen to join the CG as an individual not representing his or her organisation.
| Photo | Name | Organisation | GitHub username | Area of interest | |
|---|---|---|---|---|---|
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Aaron Mars | ||||
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Abraham Lee | ||||
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Adam Meyer | Koncerto | |||
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Adam Reese | Tableau Software* | |||
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Adriano Baratè | Università degli Studi di Milano | |||
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Adrian Kulisch | ||||
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Ainhoa Esténoz | ||||
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Alexander Blank | ||||
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Alexandre Kharlamov | ||||
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Alex Daigle | ||||
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Alex Emery | ||||
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Alexander Plötz | ||||
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Alfredo Serafini | freelance consultant | seralf | (music) information retrieval & search, linked data, sound and interaction design | |
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Alon Shacham | Compoze Music Solutions Ltd | |||
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Alvaro Buitrago | ||||
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Amanda Mock | ||||
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Amber Blue | ||||
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Anas R. | ||||
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Andrew Hankinson | ||||
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Andrew Horwitz | Research Foundation of City University of NY* | ahwitz | MIR, score alignment, engraving | |
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Andrew Parker | ||||
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Angelo Cutolo | ||||
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Annika Elting | ||||
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Ansari Abdul Aziz | ||||
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Ariel Qassis | ||||
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Arshia Cont | Antescofo SAS | |||
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Arthur Lenskold | ||||
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Asahi Ocean | ||||
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Axel Geertinger | The Royal Library, Denmark* | |||
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Ben Timms | Steinberg Media Technologies GmbH | bentimms | ||
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Bert Zhang | ||||
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Bernd Jungmann | capella-software | |||
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Beth Sorensen | ||||
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Bob Hamblok | ||||
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Bo Rydberg | Musikalliansen* | |||
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Bo-Cheng Jhan | National Cheng Kung University | school510587 | Braille Music, Automatic transcription from MusicXML or other formats into braille | |
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Bob Hamblok | bhamblok | |||
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Brad Cohen | Tido Enterprise GmbH | |||
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Brian Zimmer | ||||
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Bruce Nelson | Alfred Music | |||
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Bruno Bernardo | Bigsby | |||
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Burak Uyar | ||||
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Byron C Mayes | Temple University* | |||
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Camila Monteiro de Barros | Universidade Federal de Santa Catarina* | |||
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Carine Bournez | W3C | |||
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Carsten Boensel | ||||
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Casey Driessen | ||||
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Cecilio Salmeron | None | cecilios | Creator and maintainer of LenMus project. My aim is to learn about music representation and management with computers and at the same time to develop public knowledge, methods and algorithms and to provide free quality software for music students, amateurs, and teachers. | |
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Charles Buck | Hawaii Conference of the United Church of Christ | |||
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Chiba Yuko | RygaSound Inc. | |||
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Chris Fowler | J.W. Pepper & Son | |||
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Chris Lees | ||||
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Chris Swaffer | PreSonus | |||
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Christian Burtchen | ResearchGate* | |||
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Christian Christian Kapplmüller | ||||
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Christina Noel | Musicnotes, Inc. | |||
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Christof Schardt | Columbus Soft | |||
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Christopher Antila | crantila | |||
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Christopher Diamond | ||||
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Christopher Koszuta | Hal Leonard / Noteflight | |||
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CJ Garcia | MakeMusic | |||
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Claude Rajchert | ||||
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Cory Davis | ||||
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Cyril Coutelier | Flat | |||
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Cyril Silverman | Tido Enterprise GmbH | |||
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Dan Kreider | ||||
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Daniel Ray | Muse Group | |||
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Daniel Richmond | ||||
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Dave Keenan | Sagittal | |||
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David Holland | ||||
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David MacDonald | University of Central Florida | |||
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Daniel Walz | Foleys Finest Audio Ltd. | |||
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David Rizo | University of Alicante | |||
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David William Hearn | Staffpad Ltd | |||
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Davide Andrea Mauro | Iauv University of Venice* | |||
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David Webber | Mozart Music Software | DavidMWebber | ||
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Dawson Berry | ||||
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Denis Feletto | ||||
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Dennis Bathory-Kitsz | ||||
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Dennis Freeze | ||||
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Desiree Garcia | ||||
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Dietmar Schneider | ||||
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Dmitriy Popov | Ultimate Guitar USA, LLC | |||
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Doill Jung | ||||
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Dominik Hörnel | capella-software | dhoernel | ||
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Dominik Svoboda | ||||
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Dominique Vandenneucker | Arpege Music | |||
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Douglas Blumeyer | Sagittal | |||
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Doug Eicher | Music Prodigy | |||
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Dragan Petrovic | ||||
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Drake Domingue | Alfred Music | |||
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Ed Malaga | ||||
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Elad Keidan | ||||
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Emil Wojtacki | ||||
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Emily Vickers | ||||
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Enrico Bortolazzi | ||||
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Enrico Dell'Aquila | ||||
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Eric Carraway | ||||
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Eric Fontaine | MuseScore* | ericfont | ||
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Eric Mosterd | University of South Dakota* | |||
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Eric Pancer | ||||
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Erik Ronström | DoReMIR Music Research | |||
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Evan Balster | Interactopia LLC* | |||
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Evan Brooks | ebrooks01 | |||
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Evan Yamanishi | W. W. Norton & Company | |||
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Fabrizio Ferrari | Virtual Sheet Music, Inc. | |||
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Frank Litterscheid | ||||
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Freeman Gilmore | ||||
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Gene Ragan | ||||
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George Litterst | TimeWarp Technologies | |||
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George Ross | Christian Copyright Licensing International (CCLI) | |||
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Gerda Koch | Angewandte Informationstechnik Forschungsgesellschaft mbH | |||
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Glenn Linderman | ||||
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Goffredo Haus | Università degli Studi di Milano | |||
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Gorka Urzaiz | NewMusicNow | |||
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Graham Metcalfe | Allegro Design Group | |||
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Gregory Burlet | Frettable | |||
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Grzegorz Rolek | ||||
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Guy Barash | Music Sales Corporation | |||
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Hans Vereyken | neoScores | |||
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Heiko Petersen | ||||
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Henry Ives | Muse Group | |||
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Hernán D. Ramallo | ||||
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Hervé Bitteur | Audiveris | |||
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Hiroyuki Baba | ||||
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Hiroyuki Koike | Plusadd, Inc. | |||
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Hongki Cha | Electronics and Telecommunications Research Institute (ETRI) | |||
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Iam Nemo | ||||
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Ian Moore | ||||
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Igor Korsukov | Muse Group | |||
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Iris Ren | Hauwei | |||
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Isaak Anderson | ||||
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Jacob Wall | J.W. Pepper & Son | |||
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Jakob Kyril Meile | The Royal Library, Denmark* | |||
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James Ingram | notator | SVG with embedded MIDI data | ||
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James Opstad | ||||
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James Sutton | Dolphin Computing Ltd | jsutdolph | ||
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James Tauber | Eldarion | jtauber | online music theory education; analysis and composition tools; Python libraries | |
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Jan Angermüller | Elbsound.studio | JAngermueller | Music Font Compatibility | |
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Jan Rosseel | SCORA | |||
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Janina Sajka | ||||
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Jared Boria | ||||
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Jason Freeman | Georgia Institute of Technology* | |||
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Jawher Matmati | ||||
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Jean-Christophe Michel | Symétrie | |||
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Jeff Kellem | Slanted Hall | |||
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Jeff S. | ||||
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Jeffrey Treviño | nCoda | jefftrevino | ||
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Jeremy Sawruk | jsawruk | |||
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Jesse P. Karlsberg | Emory University* | jpkarlsberg | Interested in incorporating music encoding into Readux (github), an environment for annotating digitized books and publishing digital critical editions developed by the Emory Center for Digital Scholarship. I am the editor of a forthcoming proof of concept series of digital critical editions of music books using Readux. | |
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Jessie Schalles | silenceonthelam | Front-end engineer, euphonium player. I enjoy creating experiments with the web audio and web midi apis, and I'm interested in music theory and notation and their structures. | ||
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Jesus Lizardi | INFOTEC* | |||
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Jim DeLaHunt | Keyboard Philharmonic project | jdlh | The Keyboard Philharmonic project organises music-lovers to revitalise our shared musical heritage, by transcribing public domain music scores of classical and operatic works, into a revisable, reusable, sharable digital form, and making them freely available. MusicXML is our primary target format for the digital scores. | |
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Jim Druckenmiller | ||||
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Jimmi Thøgersen | Key2Know A/S* | |||
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Jiyang Chu | ||||
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Joanna Kao | Al Jazeera America* | |||
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Joe Berkovitz | Risible, LLC | joeberkovitz | Independent consultant; founder of the web-based notation company Noteflight. | |
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Joe Pearson | Avid Technology | |||
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Johan Schrooyen | ||||
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Johannes Feulner | scorio GmbH | |||
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Johannes Kepper | University of Paderborn* | |||
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John Gerteisen | ||||
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John Murdoch | Wind Gap Data* | |||
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Jonathan Kehl | Ultimate Guitar USA, LLC | |||
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Jonathan Lancaster | ||||
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Jonathan Powers | ||||
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Jonathon Fruin | ||||
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Jordi Bartolome | Hal Leonard | |||
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Jörg Hohwiller | ||||
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Joseph VanderStel | Artusi, Inc. | |||
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Josh Soref | ||||
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Joshua Netterfield | ||||
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João Portela | ||||
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Juan Hiza | ||||
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Juan Martinez | ||||
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Julia Cook | Boydell & Brewer | |||
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Julius Kanigowski | ||||
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Justin Tokke | Carl Fischer LLC | |||
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Jürgen Diet | Bavarian State Library* | |||
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Kelby Stine | ||||
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Kentaro Sato | ||||
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Kenzi Noike | knoike | I'm the developer of MusicXML to MP3. Interested in description format for musical performance expression. | ||
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Kevin Weed | Newport-Mesa Unified School District* | |||
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Kia Hadipour | ||||
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Kimberly Brand | Hal Leonard / Noteflight | |||
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Knut Nergaard | ||||
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Ko-Shu Sun | ||||
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Koen Samyn | University College of West Flanders | |||
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Kosar Hosseinkhani | ||||
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Kristina Richts | ||||
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Lajos Brons | ||||
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Laurent Pugin | RISM Switzerland* | |||
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Luc Bonnin | ||||
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Luca Andrea Ludovico | Università degli Studi di Milano | |||
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Marc Cerisier | Cherry Tree, Inc. | |||
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Marc Nongmaithem | ||||
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Marc Sabatella | MuseScore* | MarcSabatella | music notation formats, interactive educational materials, accessibility issues for visually impaired | |
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Marek Ledvina | ||||
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Mário Alves | ||||
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Maristella Feustle | University of North Texas* | |||
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Mark Ferguson | Rookanga Digital LLC | |||
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Mark Green | MakeMusic Inc. | |||
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Mark Johnson | ||||
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Mark Kahrs | ||||
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Marko Raina | Apotti OY* | |||
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Marnix van Berchum | The CMME Project | marnixvb | Early Music and music encoding / music editing | |
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Markus Hübenthal | capella-software | |||
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Martin Beinicke | Soundnotation | |||
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Martin Keary | MuseScore | |||
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Martin Marris | Notecraft Services LLC | |||
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Martin Möller | Gehrmans Musikförlag | |||
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Matthew Briggs | Webern | |||
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Matthew Dougherty | ||||
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Matthew Vest | University of Virginia | |||
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Matthias Nowakowski | ||||
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Matthieu Talbot | Freelance consultant | MartyLake | C++ JUCE audio-plugin developer, UX designer, electronic music composer and live performer. | |
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Michael Dean | ||||
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Michael Good | mdgood | The inventor of MusicXML. | ||
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Michael Johnson | MakeMusic | |||
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Michael Koziel | ||||
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Michael Petychakis | National Technical University of Athens | |||
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Michael Strauss | ||||
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Mingjie Xia | ||||
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Mogens Lundholm | mogenslundholm | |||
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Mohamed Zeragoui | Innovimax | |||
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Nathaniel Burns | ||||
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Nestor Napoles Lopez | ||||
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Nicolas Froment | MuseScore | lasconic | ||
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Nicolas Martin | Arobas Music | |||
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Olaf Kosinsky | ||||
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Olufemi Ogundipe | ||||
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Paolo Tortiglione | Conservatorio G.Verdi di Milano | |||
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Pat Muchmore | ||||
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Patrick Watts | LifeWay Christian Resources* | |||
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Paul Ely | snakebyte69 | |||
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Paul Hangstein | High end music engraving | |||
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Paul Lombardi | University of South Dakota | |||
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Paul Overell | ||||
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Pavel Studený | ||||
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Pawel Cyrta | ||||
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Pedro José Ponce de León | University of Alicante* | |||
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Perry Roland | ||||
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Peter Jonas | MuseScore | |||
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Peter Maund | ||||
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Peter Saltzman | ||||
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Peter Stadler | University of Paderborn* | |||
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Peter Trubinov | ||||
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Phil Amalong | Zenph Inc.* | |||
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Philip Rothman | NYC Music Services | |||
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Philippe Rigaux | Conservatoire National des Arts et Métiers* | |||
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Pierre Mardon | SyncSing | |||
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Raffaele Viglianti | University of Maryland, College Park* | |||
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Ralf Mattes | ||||
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Raúl García Castro | Universidad Politécnica de Madrid | |||
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Razvan Beuran | Japan Advanced Institute of Science and Technology* | |||
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Reiner Krämer | McGill University* | |||
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Reinhold Hoffmann | Notation Software Germany | |||
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Reinier de Valk | University of Vienna | |||
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Riaan van Niekerk | ||||
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Richard Hoadley | Anglia Ruskin University | |||
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Richard Hotchkiss | Passport Music Software | |||
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Richard Lanyon | Steinberg Media Technologies GmbH | |||
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Robert Jaret | Rob Jaret Music | Composer and user of Music Notation Software; Have experience with xml/xsl as a software engineer and would like to help with this effort. | ||
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Robert Klugseder | Austrian Academy of Sciences* | |||
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Robert Piéchaud | IRCAM* | |||
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Robert Snarrenberg | Washington University in St. Louis* | |||
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Robin Kidd | Yamaha | |||
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Robin Walker | Queens' College, University of Cambridge* | |||
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Roger Firman | ||||
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Roman Molino Dunn | The Music Transcriber | |||
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Rosana Lanzelotte | Musica Brasilis | |||
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Ryan Prince | Selvans LLC | |||
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Ryo Kajiwara | ACCESS CO., LTD.* | |||
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Sally Zimmermann | Royal National Institute of Blind People (RNIB) | |||
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Samuel Bradshaw | SingPraises.net* | samuelbradshaw | ||
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Scott Jeppesen | University of Southern California | |||
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Sergey Surikov | ||||
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Sergio Rojas | ||||
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Sertan Şentürk | Universitat Pompeu Fabra | sertansenturk | Audio-score alignment in makam music | |
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Seth Shafer | University of North Texas* | |||
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Sienna M. Wood | University of Colorado at Boulder* | Musicologist and web developer; interested in digital and web-hosted music editions (scholarly and general), applications for digital notation in education (especially higher ed), MEI | ||
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Shishir Rai | ||||
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Simon Eastwood | ABRSM | |||
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Simon Perry | University of Queensland* | |||
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Simon Seeberger | ||||
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Simon Smith | Muse Group | |||
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Soya Richard Shigeta | ||||
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Srinivasa Kishore | ||||
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? | Stardrive Engineering | |||
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Stephen Begley | ||||
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Steve Fiskum | ||||
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Steve Lee | ||||
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Steve Murray | Music Sales Corporation | |||
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Steve Noble | University of Louisville* | Steve Noble | Background in musicology and information accessibility for people with disabilities; have worked on accessibility of mathematics notation through MathML and would like to contribute to the effort to make sure that music notation can similarly be made accessible and utilized by assistive technology software | |
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Steven Morell | NiceChart Inc. | |||
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Stijn Van Peborgh | neoScores | |||
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Sven Emtell | DoReMIR Music Research | |||
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Svetlana Kihn | ||||
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Taewoong Kim | ||||
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Taro Tokuhiro | AMEI | |||
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Ted Cooper | ||||
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Thanh Le | ||||
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Thomas Lynn | ||||
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Thomas Nauman | Musicnotes, Inc. | |||
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Thomas Weber | th-we | |||
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Thomas Williams | ||||
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Thompson Usiyan | ||||
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Timothy Edwards | Columbia College Chicago* | |||
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Timothy Laciano | ||||
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Tom White | MIDI Manufacturers Association | |||
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Tomislav Novak | University of Zagreb, Faculty of Organization and Informatics | |||
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Tony Ward | ||||
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Travis Haase | Alfred Music | |||
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Tucker Meyers | ||||
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Tyler Newton | ||||
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Urs Liska | uliska | |||
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Vincent Caers | neoScores | |||
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Vincent Giersch | Flat | |||
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Vincent Goudard | ||||
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Vili Robert Ollila | ||||
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Walker Boyle | ||||
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Werner Eickhoff-Maschitzki | Notengrafik Werner Eickhoff | |||
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Werner Lemberg | ||||
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Werner J. Wolff | Notengrafik Berlin | |||
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Wido Weber | ||||
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Wil Macaulay | Quickplay Media | |||
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Wilhelm von Hindenburger | ||||
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William Archer | University of Oklahoma | |||
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William Clocksin | ||||
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William Copper | ||||
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William Ye | ||||
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Xiaoqian Wu | W3C | |||
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Xing Fan | ||||
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Yannick Schetrite | ||||
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Yilie Wang | ||||
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Yongzhe Wang | ||||
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Yos Riady | ||||
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Zachary Jansheski | Muse Group | |||
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Zoltan Komives | Tido Enterprise GmbH | |||
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永来 王 | ||||
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Rhys Gray | University of Tasmania* | ryceg | I am a composer, web developer, and researcher interested in the semiotics of notation and ways to lower the barrier of entry to new music. |