{"id":419,"date":"2020-09-29T15:40:39","date_gmt":"2020-09-29T15:40:39","guid":{"rendered":"https:\/\/www.w3.org\/community\/music-notation\/?p=419"},"modified":"2020-09-29T15:45:10","modified_gmt":"2020-09-29T15:45:10","slug":"co-chair-meeting-minutes-september-29-2020","status":"publish","type":"post","link":"https:\/\/www.w3.org\/community\/music-notation\/2020\/09\/29\/co-chair-meeting-minutes-september-29-2020\/","title":{"rendered":"Co-chair Meeting Minutes: September 29, 2020"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">MusicXML 4.0<\/h3>\n\n\n\n<p>Issue <a href=\"https:\/\/github.com\/w3c\/musicxml\/issues\/278\" target=\"_blank\" rel=\"nofollow\">#278<\/a>, which describes the method to include the full score and separate instrumental parts in a single compressed MusicXML file, is complete. The next issue to be tackled will be <a href=\"https:\/\/github.com\/w3c\/musicxml\/issues\/279\" target=\"_blank\" rel=\"nofollow\">#279<\/a>, which caters for having a concert score and transposed parts, and along with it the following additional issues will also be covered: <a href=\"https:\/\/github.com\/w3c\/musicxml\/issues\/39\" target=\"_blank\" rel=\"nofollow\">#39<\/a>, concerning octave transpositions for instruments; <a href=\"https:\/\/github.com\/w3c\/musicxml\/issues\/55\" target=\"_blank\" rel=\"nofollow\">#55<\/a>, for clefs that differ between concert and transposed pitch; plus <a href=\"https:\/\/github.com\/w3c\/musicxml\/issues\/54\" target=\"_blank\" rel=\"nofollow\">#54<\/a>, which describes enharmonic spelling variation between concert and transposed pitch.<\/p>\n\n\n\n<p>Issue <a href=\"https:\/\/github.com\/w3c\/musicxml\/issues\/336\" target=\"_blank\" rel=\"nofollow\">#336<\/a> concerning the placement of figured bass was also briefly discussed and the co-chairs agreed that it can be included in the scope of MusicXML 4.0.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">MNX<\/h3>\n\n\n\n<p>Pull request <a href=\"https:\/\/github.com\/w3c\/mnx\/pull\/194\" target=\"_blank\" rel=\"nofollow\">#194<\/a>, which removes the <strong>beamed<\/strong> element from the spec and the MNX by Example page, has been merged. Consequently, issue <a href=\"https:\/\/github.com\/w3c\/mnx\/issues\/193\" target=\"_blank\" rel=\"nofollow\">#193<\/a> is also now closed. This means that at present there&#8217;s no way of encoding beams in the MNX specification, and defining the specification for beaming is now covered by issue <a href=\"https:\/\/github.com\/w3c\/mnx\/issues\/198\" target=\"_blank\" rel=\"nofollow\">#198<\/a>, which we will return to in the near future.<\/p>\n\n\n\n<p>The co-chairs discussed the beginnings of how beaming might be encoded and posited the creation of a new <strong>rules<\/strong> element that could house document-global rules for how the musical data in the file should be interpreted. Adrian will put together the beginnings of a proposal for how beaming could be defined as a series of rhythmic offsets into a bar (e.g. the positions at which primary beam groups should start and stop, given a nominal bar of notes of a specific duration) and we will discuss further with the community.<\/p>\n\n\n\n<p>Adrian has also removed beaming from the MNX Converter in the short-term, as a reflection of the current state of the MNX specification.<\/p>\n\n\n\n<p>Adrian has also created issues <a href=\"https:\/\/github.com\/w3c\/mnx\/issues\/195\" target=\"_blank\" rel=\"nofollow\">#195<\/a>, <a href=\"https:\/\/github.com\/w3c\/mnx\/issues\/196\" target=\"_blank\" rel=\"nofollow\">#196<\/a> and <a href=\"https:\/\/github.com\/w3c\/mnx\/issues\/197\" target=\"_blank\" rel=\"nofollow\">#197<\/a>, concerning the remaining ideas that were removed from the MNX specification as part of the work to remove the concept of profiles.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Next meeting<\/h3>\n\n\n\n<p>The next co-chair meeting will be on <strong>Tuesday 13 October 2020<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MusicXML 4.0 Issue #278, which describes the method to include the full score and separate instrumental parts in a single compressed MusicXML file, is complete. The next issue to be tackled will be #279, which caters for having a concert &hellip; <a href=\"https:\/\/www.w3.org\/community\/music-notation\/2020\/09\/29\/co-chair-meeting-minutes-september-29-2020\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7939,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_s2mail":"","footnotes":""},"categories":[12],"tags":[],"class_list":["post-419","post","type-post","status-publish","format-standard","hentry","category-minutes"],"_links":{"self":[{"href":"https:\/\/www.w3.org\/community\/music-notation\/wp-json\/wp\/v2\/posts\/419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.w3.org\/community\/music-notation\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.w3.org\/community\/music-notation\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.w3.org\/community\/music-notation\/wp-json\/wp\/v2\/users\/7939"}],"replies":[{"embeddable":true,"href":"https:\/\/www.w3.org\/community\/music-notation\/wp-json\/wp\/v2\/comments?post=419"}],"version-history":[{"count":1,"href":"https:\/\/www.w3.org\/community\/music-notation\/wp-json\/wp\/v2\/posts\/419\/revisions"}],"predecessor-version":[{"id":420,"href":"https:\/\/www.w3.org\/community\/music-notation\/wp-json\/wp\/v2\/posts\/419\/revisions\/420"}],"wp:attachment":[{"href":"https:\/\/www.w3.org\/community\/music-notation\/wp-json\/wp\/v2\/media?parent=419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.w3.org\/community\/music-notation\/wp-json\/wp\/v2\/categories?post=419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.w3.org\/community\/music-notation\/wp-json\/wp\/v2\/tags?post=419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}